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An evening with Kyle Cooper

by John Foster on 02/26/2010
Kyle Cooper

Photo by Nick Whitmoyer

There are few true originators in the land of Hollywood, but the iconic Kyle Cooper, designer of innovative titles for everything from Sherlock Holmes to Spiderman and Speed Racer to Seven is the very definition. His breathtaking work has brought the first few minutes of a film back to the forefront of creativity after a long slumber, and made staying to the very end a newfound requirement. Not since Saul Bass has someone’s work been so analyzed and enjoyed in this respect. As one of Fast Company’s “100 Most Creative People in Business,” he transcends film and has become part of our creative fabric.

This past week, The Art Directors Club of Metropolitan Washington had the pleasure of hosting Mr Cooper for a sold out event at the Navy Memorial’s Penn Quarter Conference Center. Before the event, ADCMW President John Foster had a few moments to quiz Kyle on everything from his typographical heroes to the animal menagerie in his house. Listen in:

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ADCMW January Jelly Week

by Corey Greeneltch on 02/04/2010

Every year the Art Directors Club of Metropolitan Washington brings you a great variety of events. Last week we concluded 5 days of creative co-working at local coffeeshops and cafes, also known as a ‘Jelly’.

The concept of a Jelly is to provide a specific time and location where telecommuters or freelancers or just those who usually work alone can come together for a work session full of camaraderie, brainstorming, and feedback, or just a change of pace. Anyone is welcome to come, just bring your laptop or your sketchbook or your paperwork or whatever your task for the day is. Meet up at a designated place and time and enjoy a fresh take on your usual work. Maybe you’ll run into an old friend, maybe you’ll make a new friend. Either way, you’ll get out of the house or office, share some time with fellow creatives, and get some work done.

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Talkin’ Bout a Resolution

by Katie O'Brien on 01/19/2010

It’s resolution time, friends, and whether you’re a chronic breaker or never maker, 2010 is a whole new ball game. I realize that we’re 3 weeks in to the new decade but it’s never too late to make your annual vow to self improve.

All too often we make resolutions in order to change a life style or habit that is considered socially unacceptable. There’s the go-to resolution of quitting smoking, something my husband and I did on New Years in 2007 only to go back to smoking in October the very same year. Or working out more, which often ends up in an expensive yearly gym membership that you only go to in the first month.

I make a resolution every year. Some I’ve kept, some I’ve almost entirely blown off. Though statistics show that only 40-45% of people make New Year’s resolutions and 46% of those same people actually keep them, people who do make resolutions are 10 times more likely to attain their life goals than people who don’t. Think about it.
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My How Conference Experience

by Katie O'Brien on 11/12/2009

HOW Photobooth

I’ve been wanting to go to HOW since I found out HOW existed.

I think it was the first time I saw Paula Scher speak at Syracuse University in 1999, and she went on about Pentagram and painting her crazy maps… Or it was when the Communications Design Head, Ken Hine, introduced me and my sophomore class to Tibor Kalman, The Eameses, Buckminster Fuller, and all of the other amazing creatives who have done their part to shape our industry and inspire my career…

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Creative Elements at the Science Club

by Nick Whitmoyer on 10/23/2009

If you didn’t make it to ADCMW’s Creative Elements event the other night, then you missed a great time. But don’t worry! There will be more; a lot more, actually.

Ironworks Team

Sponsors for the evening’s event (from left to right): Frank Wang, Corey Greeneltch, Candace Nicolls, Bill Buell & Chris Cook of Ironworks Consulting.

CEO Peter Corbett of iStrategyLabs makes an appearance at the kick-off event.

Freelance Graphic Designer/ADCMW Board Member Selena Robleto & User Experience Manager Greg Robleto of The Motley Fool. Continue reading…


Three: Which DC theaters/venues are the best to see the most innovative work?

by FullBleed Editoral Staff on 09/22/2009

Featured Illustrator: Glenn Lucas

This is one of the questions we asked in this month’s “Three” series. Check out what several local creatives had to say, then share your own insight via the comments below!

Which DC theaters/venues are the best to see the most innovative work?

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Three: Which DC galleries are your favorite and why?

by FullBleed Editoral Staff on 09/18/2009
3_Elvis

Featured Illustrator: Glenn Lucas

This is one of the questions we asked in this month’s “Three” series. Check out what several local creatives had to say, then share your own insight via the comments below!

Which DC galleries are your favorite and why?

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60th Annual Show Gala

by John Harrington on 06/25/2009

Photo courtesy of John Harrington

The Art Directors Club of Metropolitan Washington’s 60th Annual Show Gala returned again to the historic National Press Club on June 6 to showcase the best work of the region and celebrate the talent that our members deliver to their clients everyday. The dais, where Presidents and Kings have addressed audiences in the past, was the location where Master of Ceremonies Sean McCormick distributed the Gold Light Bulb and Silver Light Bulb awards to winners.

The partnership award went to Svec Conway and was accepted by Sheila Firestein. ADCMW President Jen Fults received the presidential award from host Sean McCormick.

ADCMW Executive Director Susan Fuller presented the annual Lifetime Membership Award to Eric Stewart, who has served the club and board for more than a decade. Stewart noted in his acceptance remarks that it was his joining the club and getting involved in member activities that gave him clients and a thus, a career. Continue reading…


Pro-bono Design Series: Doing Design for Good – Part II

by John Clemmer on 04/13/2009

Designism Logo

This is Part II of a series of solutions to pro-bono design by the Washington, D.C. design community.

In this second installment, we take a look at an interesting new angle on doing design for the greater good, then explore a resource that connects designers and non-profits in need.

In 2006, the Art Directors Club (ADC) hosted Designism, an event spear-headed by ADC Vice President Brian Collins, and dubbed by the ADC to be “a debate over advertising and design as instruments for social and political change.” Kurt Andersen, Milton Glaser, Jessica Helfand, George Lois, and James Victore comprised an all-star panel — moderated by Steven Heller — that “debated” the role design and graphic designers play in solving the problems of the world. The talk kicked off a larger discussion in the design community.

Fast-forward to the Designism 2.0 and 3.0 events in 2007 and 2008, respectively.  What started as a debate and call-to-arms has given birth to actual examples of design work for a number of social and political causes.

Another invaluable piece that came from the Designism dialogue was designismconnects, a web site that partners idealist.org and the ADC.  It serves as a forum to connect meaningful social causes with designers by allowing non-profits to post their project needs and designers to post samples of their work.

Designism Connects

In a few short years, Designism has evolved into more than just a venue for designers to show-off their meaningful work to their peers and discuss the ills of the world; it has provided an example of “how you can make something that has a larger impact,” as Collins said.

This idea of making a larger impact is what Collins wants the design community to really glean from Designism and all of the discussion surrounding it.

“How can you take these values into your daily dialogue with clients and still pay the rent?” Collins said, adding that Designism provides an opportunity for designers to compare their own work “against people who are really doing it.”

So, who is really doing it? The answer to this question can be debated and discussed, but ultimately the answer lies in how you want your work to impact your local community and society on a whole. Collins believes that designers can — and should — use their own careers for change; that designers should have a seat at the table when it comes to socially responsible design. Instead of dividing your time between work that pays the bills and the work that you really believe in, try incorporating a social conscious into your day-to-day responsibilities so you can have the opportunity to do both socially and financially rewarding work.

In today’s world, companies are no longer solely judged on their “bottom line.” They are also being judged by “the larger contribution they are making,” said Collins. This larger contribution can be measured by the triple bottom line, a widely used methodology coined by TOMS Shoes. TOMS gives a pair of shoes to a child in need, thereby using the purchasing power of individuals to benefit the greater good.

Regardless of what side of the discussion you fall on regarding designers as agents of social and political change, our community has always been at the forefront of shaping trends and decisions, and my hope is that we can all bring a little more good to the world through our chosen professions.

Other Good Resources

In our next installment on pro-bono design, we are looking to highlight local resources for connecting designers with pro-bono opportunities. If you have a unique solution to pro-bono design that you would like to share with the community, send your ideas to publications@adcmw.org or leave us a comment below. We love to hear what the community thinks.


Meet the Judges: 60th Annual Show

by Ashley Gatewood on 03/11/2009

The Art Directors Club of Metropolitan Washington is proud to have six, nationally-known design professionals judging the 60th Annual Show. Meet them all on March 20.

Doug Bartow

Doug Bartow

Doug Bartow

Doug Bartow — principal and design director at Troy, NY-based id29 — began flirting with design and typography at any early age. In grade school, he was drawing fraktur letterforms on his notebooks while his classmates were doodling KISS and Van Halen logos.

His passion for typography was fully ignited while in the BFA program at the SUNY New Paltz. Professor Muneera Spence, who studied under Paul Rand, gave her students a rigorous introduction to typography using only five typefaces. This training imparted Doug with a strong confidence to take typographical risks and further explore their abilities.

While he is an enthusiast of type, that’s not to say a typeface doesn’t rub him the wrong way on occasion.

“As far as faces I’d like to see less of: Trajan. It’s beautifully drawn, but so ubiquitous. I can rarely go a day without seeing it used in one form or another.”

As a man familiar with the state of type, Doug knows what he wants to see from up-and-coming designers.

“I see too many typefaces in the work of young designers, many of which are poorly drawn or freely downloaded off the Internet. Show me you can communicate beautifully using only three weights of Univers. I’ll be much more impressed.”

Doug, like many of us, is navigating his first recession as a working professional, but he and his design firm are staying firmly grounded while remaining optimistic. He points out that in a recession, the same rules apply as in a boom: designers must intently listen to clients, perform the necessary research, and produce outstanding work. He also believes that in a down economy, clients can’t afford to forgo going out on a creative limb.

“Common sense would dictate that clients will get more conservative in tough times,” he said. “I would argue now is the time to differentiate yourselves from your competitors—using good design and smart strategy to rise above the din.”

Doug will be looking for good design and smart strategy at the Annual Show. He’s sure to bring his unwavering enthusiasm for new design to this position.

“I love looking at and discussing current design work. Meeting other designers never gets old,” he said. “If you’re someone interested in the state of design and advertising in DC, this show will feature the best of 2008.”

What kind of work is he hoping to miss?

“Anything that uses Trajan.”

Kate Bingaman-Burt

Kate Bingaman-Burt

Kate Bingaman-Burt

What types of quotidian things have you spent your hard-earned dough on today? Deodorant? A trashy magazine? An overpriced salad from a fast-feeder masquerading as a white-collar eatery?

If you’re like most people, you forget about your insignificant purchases shortly after having made them. Kate Bingaman-Burt immortalizes hers in a project called “Obsessive Consumptive.” Since 2002, she has been chronicling one item she purchases each day by either photographing or hand-drawing it. Plus, she hand draws all of her credit-card statements until they are paid off. In 2010, Princeton Architectural Press will publish a book filled with these daily drawings.
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